whiskyinmind (
whiskyinmind) wrote2008-01-25 10:37 am
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Fic question
(still working on the layout btw - it's not complete yet)
I have lots of scenarios and ficlets in my head (and in my many fic notebooks as well) but each one of them feels to me like a stand alone which I want to extend into a longer story.
And therein lies my problem. And is an explanation for why I have so many WIPs (which bug me as much as they do anyone who's reading them).
I get a scenario in my head, I write it, then my brain wants me to write more of it and show how the characters and situations developed - for example, I have a Dean/Faith ficlet I'm working on right now, but the scenario as I'm writing it is of an established... well, not 'relationship' in the traditional sense of the word, but they've met and interacted before the thing I'm writing happens.
It's short, it's punchy, it kinda works, but I want to show how they met, I want to show their history, and potentially their future.
Same with another fic I have on the go - a Bela centric short one-piece. (Wench, this is the one you've seen the first few paragraphs of.) Because of its nature it needs to be short and punchy, but when the reveal is made I want to explore it more but that will destroy the impact.
So here, finally, is the question.
Should I trust myself and my readers (you guys) to be able to see the world I've built in my head, or do I expand the stories and show that world?
I have a feeling I know the answer, so a secondary question is this: how do I stop myself from losing the impact?
I'm flaily. I may be getting used to this not getting out of bed until after the time I used to have been at work for an hour...
I have lots of scenarios and ficlets in my head (and in my many fic notebooks as well) but each one of them feels to me like a stand alone which I want to extend into a longer story.
And therein lies my problem. And is an explanation for why I have so many WIPs (which bug me as much as they do anyone who's reading them).
I get a scenario in my head, I write it, then my brain wants me to write more of it and show how the characters and situations developed - for example, I have a Dean/Faith ficlet I'm working on right now, but the scenario as I'm writing it is of an established... well, not 'relationship' in the traditional sense of the word, but they've met and interacted before the thing I'm writing happens.
It's short, it's punchy, it kinda works, but I want to show how they met, I want to show their history, and potentially their future.
Same with another fic I have on the go - a Bela centric short one-piece. (Wench, this is the one you've seen the first few paragraphs of.) Because of its nature it needs to be short and punchy, but when the reveal is made I want to explore it more but that will destroy the impact.
So here, finally, is the question.
Should I trust myself and my readers (you guys) to be able to see the world I've built in my head, or do I expand the stories and show that world?
I have a feeling I know the answer, so a secondary question is this: how do I stop myself from losing the impact?
I'm flaily. I may be getting used to this not getting out of bed until after the time I used to have been at work for an hour...
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I would tend to complete the fics as you envisioned them and put the other ideas into a sequel. Otherwise you end up with an epic. Not that that's a bad thing but of course it would mean putting other things on the back burner.
The only issue with this is prequilitus whether readers will read something set before the end you have already written , whether the drama is gone, the only thing here is the time gap. If it is long enough you have enough wriggle room. Seen this done a number of times like Nemo's partners series & Bastard snows Coffee series, the thing to remember here is later readers will start at the beginning.
Or you could cheat like I am and try both.
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I just finished reading a truly awful TV tie-in novel and one of the things I said to a friend about it was that it was obvious the writer had done a lot of research on his topic but by putting in every single piece of information he'd found it became dull. "Dude, it's not an exam, you don't need to show your working!" may have been the words that left my mouth... *g*
Then I think about stories like Crimson Regret, which was born from a single scene that I could not get out of my head (which hasn't appeared yet) but by writing the character development to get to that scene, I've ended up with a far richer 'verse than I thought I would. (Same with Final Straw as well.)
*flails*
I should just write and stop worrying about it really, shouldn't I?
Thank you!
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And yes sometimes just knuckling down and doing it breaks the block. Of course other times it just seems to get you stuck.
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Yes, it's easier if you stick entirely to canon yadda yadda blah, but when you're using characters that people already know you've got an established way of behaving/reacting that will just be accepted - and if they behave differently for reasons in their AU backstory then you've also got an inbuilt shorthand there.
If you want to go back and explain - to 'verse it - then you're free to do that, but with the fics you're talking about that I know anything about you'd be perfectly fine just leaving them too; they don't need further explanation to make them work (and yes, I know I've whined about someone asking for sequels, but I've really only had one person whining to me about it and I've never had anyone tell me they felt cheated by there not being any).
I think the easiest way to avoid WiPs is to make sure every "chapter" can finish right there; not cliff hang it but end it on either a punchy note or a concuding one (or both, possibly), and to trust your readers - even if they don't get exactly what you intended, which is possible with shorter fic because they're slightly like poetry in the way readers interpret them sometimes, then that's not wrong, just open.
EDT: Also? Sleep=awesome :)
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I think basically my problem with this is that I lack the confidence in my own writing to believe that my shorthand is understood by the reader in the way that I, as the writer, meant it.
If I write for myself (which both of the fics I used as an example started off as) then I'm fine, it's when I start to think about other people reading it and what their expectations are that I start to flail and add in things that to me are self-evident.
Yes. Sleep is indeed awesome. *nods*
of course, the fact that I've now had to edit this twice for bad spelling should potentially make me wonder whether I should be writing at all...
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*g*
I may have now eaten and be feeling a little contrary...
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Vignettes are a cracking way to look at it, if you can't bear to call something done - at least then they're not hanging over you making you feel guilty!
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*nods*
You are, despite the icon that I know you'll pull out of the bag now, far too sensible.
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*g*
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Hi! by the way. Have been awol. Owe you comments all over the place *hugs*
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I am the world's worst person when it comes to finishing things though - just when I think I'm on a roll something new and shiny will pop into my brain and bang goes any pretence I have of finishing something. :(
I'm thinking vignettes might be the way to go in the interim, but then I hit the problem of: if it's short, could I make it a drabble? And whilst I love that discipline, it loses a lot of what I wanted to say in the scene sometimes.
I'm flaily. I should just accept that!
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*sigh* Meanwhile, occasional crack!fic does flow.... I despair at times.
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With me it's the drabbles. I see your despair and raise you a Humpf.
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Gabrielle